You can certainly apply the built-in templates and install new ones, even from Well-Known Photographer X, but the real power lies in easily creating and applying your own. Syncing is great when you have 100 images from the same photo shoot, but templates are better if you capture 100 photos every few weeks. Let’s say you shoot night skies or portraits on a regular basis, two situations where you apply many of the same edits as a baseline (adjusting blacks, whites, and color temperature for the former, and face lighting, smart contrast, and skin smoothing for the latter). That’s different from syncing adjustments between shots (see Chapter 8). (Well, some are definitely gimmicks, but stay with me here.) The power of templates is to make a complex series of edits that you know you’ll want to replicate on many other photos. Think of them as automation, not gimmicks. I was looking at templates the wrong way. I’m not interested in what Well-Known Photographer X thinks is an awesome color treatment.īut then it clicked. Still, why would I want to make my photos look like someone else’s? I’ve always been more comfortable editing each photo based on what the image needs. When you open a photo in the Templates interface, Luminar examines the image and makes suggestions based on what it finds, such as sunset landscapes or portraits of people.
And unlike similar implementations in other apps, templates in Luminar AI are given a boost by the AI engine. Luminar includes many pre-made templates that apply specific appearances simply by clicking one button. Here’s one of my editing biases: I don’t gravitate to presets, or in this application’s parlance, templates. Ordering, Shipping & Returns InformationĮxcerpt from The Photographer’s Guide to Luminar AI by Jeff Carlson – available now!.
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